Tuesday, August 2, 2011

Does My Head Look Big in This?


BIBLIOGRAPHY
Abdel-Fattah, Randa. 2008. DOES MY HEAD LOOK BIG IN THIS? New York: Orchard Books. ISBN 978-0439922333

PLOT SUMMARY
Amal is an 11th grader who has decided to make a bold move. She has decided to wear her hijab full time to show her commitment to her Muslim faith. She knows she will face stares and hurtful comments from her classmates, but she decides she is ready…she thinks.

CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
There are many cultural markers found in this novel and they do not seem to be forced but are seamlessly integrated. The most prominent one is the wearing of the hijab. There are those called “part-timers” who only wear the hijab when they are at a mosque or an Islamic school. The “full-timers” wear the hijab whenever they are in the presence of men who aren’t immediate family.  There is some language throughout the book such as "Yallah" which means hurry up and "Assalamu Alaykom" which is a greeting that means "peace be upon you."
Another cultural marker is the Muslim religious practices that Amal and her family participate in. They pray five times a day and this involves waking up at dawn for "morning fajr or prayer." Every time they pray they have to perform the "wuduh" which involves wetting their hands, face, arms, feet and top of their head. One of Amal's teachers, Mrs. Pearse, lets her use his office to pray during the day. They also participate in Ramadan. Although it is hard to not eat or drink from sun-up to sun-down Amal enjoys participating in Ramadan. She says, "I always feel a little sad and nostalgic at Eid breakfast. Ramadan sure is hard but I really do love the whole atmosphere of it."
As with any religion this book shows us the differences exist among Muslims. Leila’s family thinks she doesn't need an education; they are "more interested in her getting a marriage license than a high school diploma."  They are very old-school and stuck with the culture from their village. The other extreme is Amal’s Uncle Ismail and Aunt Aysha who have changed their names to assimilate better with the Australian culture. To them “foreign is the f-word” and they go over the top to fit in and not stick out. They do not practice Muslim traditions such as praying five times a day and fasting during Ramadan. But they bring up cultural Muslim cultural expectations when they think their daughter is sleeping with her boyfriend.
Amal had to face prejudices and stereotypes when she decided to wear the hijab to school. Students questioned her saying “Did your parents force you?” and “Will you ever cover yours [face]?” I’m not sure that students would be as interested in learning about her as the students in this book. But, it is great to see students learning about each other’s differences.  She is also turned down for a job at a fast food restaurant because of her hijab. She is told "we sell an image up front," and "it's not hygienic and it just don't look good up at the front of the shop."
The setting mainly takes place at Amal’s school and her home. The setting of her school is important because she is the only person at her school wearing the hijab. Wearing the hijab wouldn’t be as novel if she was still at her Islamic school, Hidaya. When she first decides to wear the hijab she talks to the principal who is quite shocked and asks her if her parent's forced her to wear it. After meeting with her parents she call Amal back into her office and tell her, "I've put you down as an agenda item in tonight's staff meeting so that your situation can be explained to the teachers." This just reinforces the fact that Amal sticks out like a sore thumb at McCleans Preparatory School.
Amal and her family are portrayed as modern day Muslims. Although she is wearing the hijab, Amal is still very concerned with her clothes. She makes sure her hijab matches her clothes and that she is still stylish. This is a contrast to how women wearing the hijab are normally shown wearing long skirts that do not look very stylish. Amal describes her mother as "wearing a hijab and Gucci sunnies, and drives a car with an ‘Islam means peace’ bumper sticker."
Although there are quite a few cultural markers found in this book, readers from all cultures will be able to relate to the different storylines. Worrying about your appearance, arguing with your parents and struggling with peer pressure are things that teenagers from every culture deal with. Teenagers will also connect with Simone as she struggles with her weight, Amal as she obsess about her crush on Adam, and everyone as they deal with the snobby Tia. Muslim students will be able to relate to Amal as she struggles to deal with the effects of her decision to wear the hijab. Other students will benefit from this book by learning more about the Islamic faith.

REVIEW EXCERPTS
SCHOOL LIBRARY JOURNAL: “Australian 11th-grader Amal is smart, funny, outspoken, a good student, and a loyal friend. She is also a devout Muslim who decides to wear the hijab, or head covering, full-time. The story tells of her emotional and spiritual journey as she copes with a mad crush on a boy, befriends an elderly Greek neighbor, tries to help a friend who aspires to be a lawyer but whose well-intentioned mother is trying to force her to leave school and get married. Amal is also battling the misconceptions of non-Muslims about her religion and culture”
BOOKLIST Starred Review: “At 16, she loves shopping, watches Sex and the City, and IMs her friends about her crush on a classmate. She also wants to wear the hijab, to be strong enough to show a badge of her deeply held faith, even if she confronts insults from some at her snotty prep school, and she is refused a part-time job in the food court (she is "not hygienic"). Without heavy preaching, the issues of faith and culture are part of the story, from fasting at Ramadan to refusing sex before marriage. More than the usual story of the immigrant teen's conflict with her traditional parents, the funny, touching contemporary narrative will grab teens everywhere.

CONNECTIONS
-Have students write about a time when they felt judged by other people.
Other books about Muslim teenagers:
Budhos, Marina. ASK ME NO QUESTIONS. ISBN 9781416949206
Abdel-Fattah, Randa. TEN THINGS I HATE ABOUT ME. ISBN 9780545050562

The Pirate of Kindergarten


BIBLIOGRAPHY
Lyon, George Ella. 2010. THE PIRATE OF KINDERGARTEN. Illustrated by Lynne Avril. New York: Antheneum Books for Young Readers. ISBN 9781416950240.

PLOT SUMMARY
Ginny suffers from an undiagnosed vision problem. It causes her to see two of everything making it hard to read, cut paper, and even walk without running into things. When the school nurse diagnoses her problem she becomes a pirate who no longer sees double.

CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The illustrations do a wonderful job of helping children comprehend how Ginny sees two of everything. Without the illustrations children might not understand the book as well. You can see a change in Ginny's confidence in her face when she gets her patch and can see things more clearly.

One interesting thing for teachers is that the teacher in this book unintentionally makes things harder for Ginny. She told Ginny, "don't squint," "we read it just once," and "we read with our eyes, not our noses." These things are a good reminder that there are things going on with students that we do not always know about. It's important for teachers to stop and talk to their students when they have ongoing struggles in class.

I did not find any cultural markers in this book, but it is about a subject on which we do not see many books published. This book is a great way to show young children how even though we might not know some students see things differently.  It is a great book to use to lead into conversations about students hearing, acting and looking different from everyone else.   
REVIEW EXCERPTS
SCHOOL LIBRARY JOURNAL: “Ginny suffers from undiagnosed double vision, and seeing two of everything is causing her difficulties in school… Lyon's short, descriptive sentences set up the situation deftly, and Avril's astute chalk, pencil, and acrylic drawings of "two of everything" provide a vivid window into Ginny's pre-treatment world.”

BOOKLIST: “Avril’s bold and wonderfully vivid mixed-media illustrations sometimes portray the classroom through Ginny’s eyes, with overlapping images of chairs, books, and people, though they usually present an outside perspective. Based on Lyon’s own experience, the sensitively written story radiates empathy and good humor. Even children who have not experienced Ginny’s problem will understand her occasional frustration and find it intriguing that one person can literally see the world differently from another.”

CONNECTIONS
Share this book with young students and discuss how we should treat those that look different.
Look at this website for more books on disabilities and learning differences
http://www.monroe.lib.in.us/childrens/booklists/disabilitybib.html

In Our Mothers' House


BIBLIOGRAPHY
Polacco, Patricia. 2009. IN OUR MOTHERS’ HOUSE. New York: Philomel Books. ISBN 9780399250767

PLOT SUMMARY
A grown woman reminisces about growing up with her family of two mothers, a brother and a sister. She remembers the love and laughter that filled her home.

CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
The three children in the family all come from different cultures: African America, Caucasian and Asian. One of her mother's, Meema is Italian and nothing is mentioned about Mermee's ethnicity. One example of Meema's Italian culture is the fact that the kitchen is such an important part of the home. They are shown cooking family meals together in the kitchen and the narrator remembers, "The kitchen in our mother's house was the center of everything that was happening in our household."
There are many cultures represented in the characters in the story. When they have a neighborhood block party the families bring foods that represent their culture. The Mardicians served "stuffed grape leaves and ground lamb," the Polos served "spanakopita and Greek salads," the Abdullas served "hummus and tabouli." Other families served sushi, fried clams and crawdads.
I feel that the hair styles and clothing choices are very stereotypical of lesbians. The women have their hair cut very short and wear clothes that make them look more masculine. The narrator even points out that it was a big deal for them to wear dresses to the tea party they hosted. She remembers, "We had never seen either of them in a dress...ever!"
There is a character is the book that shows us how intolerance affects others. Mrs. Lockner is very rude to the narrator’s family. She shuts the door on them when they come trick-or-treating, won’t let her children come over for a sleepover and confronts the family at the block party. She approaches the mothers and says, “I don’t appreciate what you two are.” The narrator doesn’t understand Mrs. Lockner’s behavior and Meema explains it by saying, “She is full of fear sweetie. She's afraid of what she cannot understand: she doesn't understand us."
The illustrations in this book really express the facial expressions of the characters. You can see the love and adoration in Meema and Marmee's eyes when they first bring each of their children home. They show the joy on the children's faces and they dance, fix family dinners and get ready for their tea party. The illustrations are particularly good at showing how Mrs. Lockner's outburst effected everyone at the block party.
Even though the narrator didn’t have what most view as a traditional family, she still had a wonderful childhood full of fond family memories. The love and laughter that filled her home is what she remembers when she is grown. Although this book is a bit lengthy it is a great introduction to young children about how all families look different.
REVIEW EXCERPTS
SCHOOL LIBRARY JOURNAL: “
This gem of a book illustrates how love makes a family, even if it's not a traditional one… the story serves as a model of inclusiveness for children who have same-sex parents, as well as for children who may have questions about a "different" family in their neighborhood. A lovely book that can help youngsters better understand their world.”
BOOKLIST: “The oldest of three adopted children recalls her childhood with mothers Marmee and Meema, as they raised their African American daughter, Asian American son, and Caucasian daughter in a lively, supportive neighborhood. The energetic illustrations in pencil and marker, though perhaps not as well-rendered as in some previous works, teem with family activities and neighborhood festivity. Quieter moments radiate the love the mothers feel for their children and for each other.”

CONNECTIONS
-Talk to students about accepting others even if they are different than you, use quotes from the book to show how hurtful comments can be.
-Have students write about how they feel loved by a family member.